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    Fashion at the Edge: Spectacle, Modernity, and Deathliness

    Beschreibung Fashion at the Edge: Spectacle, Modernity, and Deathliness. Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation, and decay. This intriguing book looks closely at this strand of fashion design in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyzes the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion’s dark side and what it signifies.Fashion at the Edge considers a range of cutting-edge contemporary fashion in unprecedented depth and detail, including the work of such current designers as John Galliano, Alexander McQueen, Hussein Chalayan, and Viktor & Rolf. Contrasting images by photographers like Steven Meisel, Nick Knight, and Juergen Teller are also reviewed. Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very center of the contemporary, and that it voices some of Western culture’s deepest concerns.



    Buch Fashion at the Edge: Spectacle, Modernity, and Deathliness PDF ePub

    Fashion at the Edge: Spectacle, Modernity, and Deathliness ~ Fashion at the Edge: Spectacle, Modernity, and Deathliness: : Evans, Caroline: Fremdsprachige Bücher

    Fashion at the Edge: Spectacle, Modernity, and Deathliness ~ Fashion at the Edge: Spectacle, Modernity, and Deathliness by Caroline Evans (2007-12-13) / Caroline Evans / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

    Fashion at the Edge: Spectacle, Modernity, and Deathliness ~ [(Fashion at the Edge: Spectacle, Modernity, and Deathliness)] [Author: Caroline Evans] published on (December, 2007) / / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

    FASHION AT THE EDGE: SPECTACLE, MODERNITY, AND DEATHLINESS ~ [FASHION AT THE EDGE: SPECTACLE, MODERNITY, AND DEATHLINESS BY EVANS, CAROLINE(AUTHOR)]PAPERBACK / Caroline Evans / ISBN: 0884606177096 / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

    Fashion at the Edge: Spectacle, Modernity and Deathliness ~ Request PDF / On Jan 1, 2003, Caroline Evans published Fashion at the Edge: Spectacle, Modernity and Deathliness / Find, read and cite all the research you need on ResearchGate

    Fashion At the Edge Spectacle Modernity: : Evans ~ Fashion At the Edge Spectacle Modernity / Evans, Caroline / ISBN: / Kostenloser Versand für alle Bücher mit Versand und Verkauf duch .

    Fashion at the Edge: Spectacle, Modernity and Deathliness ~ (2005). Fashion at the Edge: Spectacle, Modernity and Deathliness by Caroline Evans. Fashion Theory: Vol. 9, No. 1, pp. 113-116.

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    Fashion at the Edge: Spectacle, Modernity, and Deathliness ~ The book's subtitle - "Spectacle, Modernity and Deathliness" - sums up the author's focus on the underside of fashion. Evans acknowledges that much of the fashion featured in this book was "economically negligible", arguing that its cultural import is of greater significance. She explores how designers of the 90s consciously or unconsciously explored the dark history of the 20th century .

    Fashion at the Edge: Spectacle, Modernity, and Deathliness ~ Buy Fashion at the Edge: Spectacle, Modernity, and Deathliness 2 by Evans, Caroline (ISBN: 9780300124675) from 's Book Store. Everyday low prices and free delivery on eligible orders.

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    Viktor & Rolf: : Caroline Evans, Susannah Frankel ~ Sie hat bereits bei mehreren Veröffentlichungen aus dem Bereich Mode mitgewirkt und selbst das Buch »Fashion at the Edge: Spectacle, Modernity and Deathliness« (2003) verfasst. Susannah Frankel ist Chefredakteurin für Mode bei »The Independent und Leiterin der Moderedaktion des »Another Magazine«.

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    Can a fashion show be treated as a theatrical event ~ So the term ‘fashion’ was connected with modernity, modernization and city already at the beginning of the twentieth century. The philosopher and sociologist Georg Simmel rated in 1903 fashion “to the fragmentaration of modern life, that is the overstimulation and nervous excitement that come with the growth of the metropolis. He associated fashion with the middle classes and with the ci

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