Beschreibung Smith, T: Bauhaus Weaving Theory: From Feminine Craft to Mode of Design. The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
Bauhaus Weaving Theory: From Feminine Craft to Mode of ~ Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
Bauhaus Weaving Theory: From Feminine Craft to Mode of ~ Bauhaus Weaving Theory: From Feminine Craft to Mode of Design 272. by T'ai Smith / Editorial Reviews. Paperback $ 29.95. Hardcover . $90.00. Paperback. $29.95. NOOK Book. $22.49. View All Available Formats & Editions. Ship This Item â Qualifies for Free Shipping Buy Online, Pick up in Store Check Availability at Nearby Stores. Sign in to Purchase Instantly. Members save with free shipping .
Benutzerin:LeserĂ€ttin/Frauen am Bauhaus â Wikipedia ~ T'ai Smith: Bauhaus Weaving Theory: From Feminine Craft to Mode of Design. University of Minnesota Press, Minneapolis, MN 2014, ISBN 978-1-4529-4323-7 . Sigrid Weltge-Wortmann: Bauhaus textiles. Women artists and the weaving workshop. Thames and Hudson, London 1993, ISBN 0-500-23658-5.
Bauhaus Women: A Global Perspective (English Edition ~ Bauhaus Weaving Theory: From Feminine Craft to Mode of Design (English Edition) Tâai Smith. 4,6 de 5 estrelas 3. eBook Kindle. R$136.73. Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernismâs Legendary Art School (Visual Cultures and German Contexts) (English Edition) Elizabeth Otto. eBook Kindle. R$136.11. The New Vision: Fundamentals of Bauhaus Design, Painting, Sculpture .
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Tie It Off & Count Again by rowanly - Issuu ~ Rowan Lynch March 2018 FOOTNOTES 1. Tâai Smith, Bauhaus Weaving Theory from Feminine Craft to Mode of Design, University of Minnesota Press; Minneapolis, 2014, XXIX. 2. Anni Albers, On Weaving .
Bauhaus - Monoskop ~ The Bauhaus was founded in 1919 in the city of Weimar by German architect Walter Gropius. Its core objective was a radical concept: to reimagine the material world to reflect the unity of all the arts. Gropius explained this vision for a union of crafts, art and technology in the Programm des Staatlichen Bauhauses Weimar (1919), which described a utopian craft guild combining architecture .
The Craft Reader: Adamson, Glenn: 9781350092648: ~ 5. Craft in theory: Aesthetics, essence, status 6. Craft in action: Life, art, design 7. Contemporary approaches Many seminal texts are included, such as Anni Albers, 'On Weaving'; Karl Marx, 'Capital'; William Morris, 'The Revival of Handicraft'; George Nakashima, 'The Soul of a Tree'; David Pye, 'The Nature and Art of Workmanship'; Theodor .
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Bauhaus / Biography, Architecture, Art, & Facts / Britannica ~ Bauhaus, in full Staatliches Bauhaus, school of design, architecture, and applied arts that existed in Germany from 1919 to 1933. It was based in Weimar until 1925, Dessau through 1932, and Berlin in its final months. The Bauhaus was founded by the architect Walter Gropius, who combined two schools, the Weimar Academy of Arts and the Weimar School of Arts and Crafts, into what he called the .
Weaving - Wikipedia ~ Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.Other methods are knitting, crocheting, felting, and braiding or plaiting.The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling.(Weft is an old English word meaning "that which is woven"; compare leave .
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Margaretha Reichardt - Wikipedia ~ Margaretha Reichardt (6 March 1907 â 25 May 1984), also known as Grete Reichardt, was a textile artist, weaver, and graphic designer from Erfurt, Germany. She was one of the most important designers to emerge from the Bauhaus design school's weaving workshop in Dessau, Germany. She spent most of her adult life running her own independent weaving workshop in Erfurt, which was under Nazi rule .
Otti Berger - Wikipedia ~ She applied for a patent for her textile designs which she called "Möbelstoff-Doppelgewebe" in 1932 and received it in 1934. She sold the rights to the Shriver Corporation. Along with Anni Albers and Gunta Stölzl, Berger pushed back against the understanding of textiles as a feminine craft and utilized rhetoric used in photography and painting to describe her work. During her time in Dessau .
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