Beschreibung American Fancy: Exuberance in the Arts, 1790-1840. Between 1790 and 1840, millions of middle-class Americans throughout the nation encountered "Fancy": they rode in a Fancy sleigh, dressed up in Fancy clothes, blew their noses in Fancy handkerchiefs, bought goods at Fancy shops, ate at Fancy tables on Fancy dishes, and slept under Fancy coverlets. Not just fancy but Fancy: an early nineteenth-century cultural phenomenon born out of new and enlightened ways of seeing, understanding, and responding to the surrounding world. Fancy expressed itself in just about everything that pleased the senses; generally colorful and boldly patterned, it elicited delight, awe, surprise, whim, and caprice. Whether experienced in the form of painted surfaces, kaleidoscopic quilts, or imaginary landscapes, Fancy engaged the emotions and expanded the imagination, expressing the core of human fancy. "American Fancy" offers an appropriately fantastic experience of this uniquely American sensibility. Author Sumpter Priddy has assembled and produced an original oeuvre in the field of decorative arts, going beyond the traditional modes of furniture analysis, which concentrate on style, history, and construction, to consider the perceptual and emotional responses through which the original users and viewers would have interacted with these material things. To this end he employs the interpretive methods used in the fields of literature, fine arts, philosophy and even psychology. Rich, fully illustrated, wondrously researched, and bound in a cover that imitates a typical Fancy pattern, "American Fancy" does its marvelous subject true.
American Fancy: Exuberance in the Arts, 1790 1820 ~ Fancy: Exuberance in the Arts, 1790â1840, an exhibi-tion that celebrated a penchant for brilliant pal-ettes, vivid ornament, and decorative whimsy in the domestic environments of early nineteenth-century America. American Fancy represents a quarter-centuryâs worth of scholarship by Sumpter T. Priddy III, an antiques dealer and former Colonial Williamsburg curator who began his study of the .
American Fancy: Exuberance in the Arts, 1790â1840 ~ American Fancy: Exuberance in the Arts, 1790â1840 is guest curated by Sumpter T. Priddy III. A scholar and antiques dealer, Priddy lives in Alexandria, Virginia. The project, including the exhibition and the accompanying publication, is the result of his 25-year study of Fancy. The exhibition travels to the Peabody Essex Museum in Salem, Massachusetts, July 14âOctober 31, 2004 and the .
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American fancy : exuberance in the arts, 1790-1840 (Book ~ Get this from a library! American fancy : exuberance in the arts, 1790-1840. [Sumpter T Priddy; Chipstone Foundation.; Milwaukee Art Museum.; Peabody Essex Museum.]
American Fancy: Exuberance in the Arts 1790-1840 ~ American Fancy: Exuberance in the Arts 1790-1840. December 4, 2004 - March 20, 2005 (above: Fireman's hat, ca.1850, probably Philadelphia, painted and gilt felt. The Colonial Williamsburg Foundation, The Abby Aldrich Rockefeller Folk Art Museum) The Maryland Historical Society hosts the groundbreaking exhibition American Fancy: Exuberance in the Arts, 1790 - 1840 December 4, 2004 through March .
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American Fancy - Wikipedia ~ American Fancy was a decorative style popular in the United States between 1790-1840. Author Sumpter Priddy writes, American Fancy is a "cultural phenomenon born out of new and enlightened ways of seeing, understanding, and responding to the surrounding world. Fancy expressed itself in just about everything that pleased the senses; generally colorful and boldly patterned, it elicited delight .
American 18-19th Century Decorative Arts ~ American Fancy: Exuberance in the Arts, 1790-1840, an exhibit held April 10-June 20, 2004 at the Milwaukee Art Museum. Accessed February, 2015. The Flowering of American Tinware was a 2013-15 exhibit at Winterthur, which posted in-depth pages about decorated tinware. The intoduction says: "Decorated tinware was once ordinary and ubiquitous. The material-sheet iron coated with tin-could be shiny white and serviceable, thus most early useful wares were undecorated. The outer surfaces of .
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A Berkshire County Craftsman and His Contemporaries: The ~ Formal painted furniture was advertised as Fancy; Fancy painting referred to the art of imitative graining applied to furniture and architectural interiors to suggest stunning woods and marbles.â 9 Aaron Newell followed the fashions of the time constructing fancy chairs as well. Reading his advertisements in the local newspapers of the time suggests that he was in fact producing in great .
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The Andy Williams Folk Art Collection and Other Good Stuff ~ A nearly identical work, A View in Medford, is shown in Sumter Priddyâs book American Fancy: Exuberance in the Arts, 1790-1840 (Chipstone Foundation, 2004,p. 124). âThatâs a great picture,â Wheatcroft said, âbut itâs unavailable, so this is the one to concentrate on.â He wasnât the only bidder who concentrated on the painting. There was strong interest, and the competition from .