Beschreibung Sumak Bags of Northwest Persia and Transcaucasia (Carpets & Textiles). Sumak bags were woven by tribes in the Near East to store and carry articles and foodstuffs, and range in size from small salt bags to large bedding bags. Sumak is not a people or region, but a technique - an elaborate form of flat-weaving. Owing to their sophisticated weaving technique, strong colours and highly decorative design, sumak bags from that region are particularly sought after by collectors. With reference to a selection of the best pieces available, the author of this book develops a case for pinpointing specific regional weaving styles, by grouping the bags according to shared design repertoire, use of colour, and sumak technique.
Sumak bags of Northwest Persia & Transcaucasia (Book, 1998 ~ Weft-wrapping in Transcaucasia and Northwest Persia. Design Heritage. The Question of Meaning in Designs. Provenance. The Nature of our Evidence and Knowledge. Northwest Persia. Transcaucasia. The Current Situation. The Southern Region. Qazvin and Saveh. Khamseh. Garrus. The Northern Region. South-central Azarbayjan: Hashtrud and Miyanch. North-central Azarbayjan: Qaradagh. Northeast .
Sumak Bags of Northwest Persia and Transcaucasia: Wertime ~ Sumak bags were woven by tribes in the Near East to store and carry articles and foodstuffs, and range in size from small salt bags to large bedding bags. Sumak is not a people or region, but a technique - an elaborate form of flat-weaving. Owing to their sophisticated weaving technique, strong colours and highly decorative design, sumak bags from that region are particularly sought after by .
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Free Download Sumak Bags of Northwest Persia and ~ Sumak Bags of Northwest Persia and Transcaucasia Wertime ~ Sumak bags were woven by tribes in the Near East to store and carry articles and foodstuffs and range in size from small salt bags to large bedding bags Sumak is not a people or region but a technique an elaborate form of flatweaving Owing to their sophisticated weaving technique strong colours and highly decorative design sumak bags .
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Sumak Bags: of Northwest Persia and Transcaucasia Carpets ~ Sumak Bags: of Northwest Persia and Transcaucasia Carpets & Textiles: : John T. Wertime: Libros en idiomas extranjeros
Sumak Bags Northwest Persia Transcaucasia PDF ~ london boeken livres books tapijten tapis carpets tapijten tapis carpets sumak baggs of northwest persia transcaucasia according to john wertime this is the most common type of bag from the khamseh area see wertime john t soumak bags of northwest persia transcaucasia london laurence king publishing in association with hali publications ltd 1998 page 74 the bag illustrated on this page and .
Sumak Bags: of Northwest Persia and Transcaucasia Carpets ~ Sumak Bags: of Northwest Persia and Transcaucasia Carpets & Textiles by John T. Wertime 27-Apr-1998 Hardcover: : John T. Wertime: Libri
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Face of Half a Double Saddlebag (Khorjin) / The Met ~ Title: Face of Half a Double Saddlebag (Khorjin) Date: 19th century Geography: From Northwestern Iran or Azerbaijan, Shahsevan tribe Medium: Wool (warp, ground weft, and sumak weft); sumak extra-weft wrapping with twining in alternating colors Dimensions: H. 26 1/2 in (67.3 cm) W. 28 1/2 in. (72.1 cm) Classification: Textiles-Woven-Brocade Credit Line: Gift of Inger G. and William B. Ginsberg .
Results ~ Rippon Boswell & Co. ~ The midnight blue field of this sumakh bag half displays a repeat of large Lesghi stars in two different colour combinations, arranged in closely spaced offset rows. The style of drawing of both the Lesghi stars and the syrga motifs in the white main border, as well as the excellent quality of the colours, indicate an early date. The plain red kilim back and the closure band at the top have .
Face of Half a Double Saddlebag (Khorjin) / The Met ~ Art historians have identified Shahsevan weavings, including a variety of small-format bags, only in the past half century. Many Shahsevan weavings from the nineteenth and twentieth centuries, especially those with centralized geometric designs, such as seen here, show a striking relationship with Anatolian carpets from the fifteenth and sixteenth centuries.
Face of Half a Double Saddlebag (Khorjin) / The Met ~ The central diamond design on this double saddlebag is common in sumak weavings from the Shahsevan tribe, and the border motif, an ancient tribal symbol, is characteristic of weavings by tribal members in the Khamseh region (south of the Caspian Sea). Sometimes referenced as the "two-headed bird," because of the suggestion of heads with eyes facing opposite directions, the border pattern was .